1950's CBC test pattern |
Although we were the first house in our neighborhood to own
a television set, I know we weren't the first family in the city to own one because
my dad bought ours second-hand.
He seldom bought anything new.
The TV set, which sat on legs in the corner of the living
room, was a brown box with a window for the picture tube, no remote, no
buttons, only dials on the outside and tubes on the inside. Most of the time, if someone turned it
on, all they would get was a test pattern. We had the choice of one station; it was either the Canadian
Broadcasting Corporation (CBC) or nothing.
When there wasn't any programming, the test pattern was
accompanied by continuous drone.
The drone, although quieter, sounded like an air raid siren. The type of sound you would hear in
school, and when heard, you were
to "duck and cover", as if hiding under your desk would save you from
a nuclear attack.
Late afternoon
held the promise of children's programming. If my mother allowed me, I'd turn on the television and
watch programs, such as Uncle Chichimus, an entirely original Canadian
production or Howdy Doody, a
Canadian program, which all but duplicated the American original.
"Hello Kids. Do you know what time it is?"
The answer came from the peanut
gallery, "It's Howdy Doodey Time."
Then the Howdy Doody song would
be broadcast across the airways.
Some radio programs, like Jack Benny, Our Miss Brooks and My
Favorite Husband successfully crossed over from radio to this new media. My Favorite Husband became I Love Lucy, first
broad October 15, 1951 and, over sixty years later, is likely still broadcast
via some cable networks. If you
can't find Lucy on your television screen, she's on DVD and lurking around
various places on the Internet, waiting for you to seek her out.
The only radio program I have a clear memory of listening to,
was Our Miss Brooks, and when it moved to television; I could see the characters
I'd come to know via radio.
In those days, most of the programming on CBC was American. But, in 1970, the Canadian Radio and Television Commission (CRTC) began to change all
that. Today, Canada enjoys its own
successful recording, television and movie industries because of CRTC regulations. Canada needs to work to be culturally distinct
from the United States, and regulation is necessary.
Although most televsion shows, apart from children's
programming, were imported from the United States, the CBC managed to produce
some Canadian content. One of my
favorites was The Plouffe Family.
At first, only
broadcast in French, after its first successful year, an English version was
also produced. The Plouffes' were
a working class family. Mama
Plouffe, a rotund woman with a bun, was the family matriarch. Her angular husband went to work
carrying a metal lunch box. The
family communicated from one floor of the house to another using a tube.
No nostalgic remembrance of the very early days of television
would be complete, without mention of the Ed Sullivan Show, from 1948 until 1971, every Sunday evening Mr. Sullivan
promised, "a really big shoe." Much imitated in his day, Mr. Sullivan couldn’t sing,
dance or act, but managed to host all the great entertainers of his time.
I could write a book about the first years of television,
but I'm positive many people already have.
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